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	<title>Comments on: Aside, for love</title>
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	<link>http://www.robertwrightphoto.com/writing/photography/aside-for-love/</link>
	<description>@ robertwrightphoto.com</description>
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		<title>By: Kevin</title>
		<link>http://www.robertwrightphoto.com/writing/photography/aside-for-love/comment-page-1/#comment-2387</link>
		<dc:creator>Kevin</dc:creator>
		<pubDate>Tue, 11 Dec 2007 21:44:11 +0000</pubDate>
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		<description>Thank you for promising to change the white on black. I see spots when I&#039;m done reading your posts.

Good post though. I&#039;ve been having the discussions with myself about why I do what I do. This was good to read today.</description>
		<content:encoded><![CDATA[<p>Thank you for promising to change the white on black. I see spots when I&#8217;m done reading your posts.</p>
<p>Good post though. I&#8217;ve been having the discussions with myself about why I do what I do. This was good to read today.</p>
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		<title>By: Robert</title>
		<link>http://www.robertwrightphoto.com/writing/photography/aside-for-love/comment-page-1/#comment-2380</link>
		<dc:creator>Robert</dc:creator>
		<pubDate>Tue, 11 Dec 2007 14:28:27 +0000</pubDate>
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		<description>@ susana
I really like the work on your site, the way that you connect work to statements is something I need to learn.
Maybe you are not old enough to remember past photo-shite fads like; hosemaster, turbofilter, wonky-lens-shift, cross-processing, etc. We have so many now, HDR, desaturated colour+shadow highlight tool freakout with grizzled old man/worker, hi-key celeb look with waxy model, lens babies, and on and on. I tell myself, this too shall pass.</description>
		<content:encoded><![CDATA[<p>@ susana<br />
I really like the work on your site, the way that you connect work to statements is something I need to learn.<br />
Maybe you are not old enough to remember past photo-shite fads like; hosemaster, turbofilter, wonky-lens-shift, cross-processing, etc. We have so many now, HDR, desaturated colour+shadow highlight tool freakout with grizzled old man/worker, hi-key celeb look with waxy model, lens babies, and on and on. I tell myself, this too shall pass.</p>
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		<title>By: susana</title>
		<link>http://www.robertwrightphoto.com/writing/photography/aside-for-love/comment-page-1/#comment-2379</link>
		<dc:creator>susana</dc:creator>
		<pubDate>Tue, 11 Dec 2007 13:00:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.robertwrightphoto.com/writing/?p=122#comment-2379</guid>
		<description>robert - nice post and am enjoying your blog. one thing i have to say though, is that one of erwitt&#039;s most iconic images, the two dogs with the lady&#039;s legs in high heels, was shot for an advertising campaign.  so that&#039;s another thing, i guess i would put on that list, is never stop hoping that someone will actually hire you to do the work that you love and defines your vision.  granted, not all to common these days, since i don&#039;t like doing high-key celebrity portraits.</description>
		<content:encoded><![CDATA[<p>robert &#8211; nice post and am enjoying your blog. one thing i have to say though, is that one of erwitt&#8217;s most iconic images, the two dogs with the lady&#8217;s legs in high heels, was shot for an advertising campaign.  so that&#8217;s another thing, i guess i would put on that list, is never stop hoping that someone will actually hire you to do the work that you love and defines your vision.  granted, not all to common these days, since i don&#8217;t like doing high-key celebrity portraits.</p>
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