Someone has a new Photograph at home and they were wondering, why did I buy this?

May 5th, 2012 Comments Off

Devon Jarvis asked me for a print donation for their school fundraiser-if you are landing here and you bought it this is all for you!

So you are wondering what is the flyover states thing?

It occurred to me that I need a very definite statement about the work and I have tried to do my best in the past, however the benefit of distance and time now lets me see more clearly what was going on.

Work begets work as Richard Serra says and in this fashion, the flyover states were born out of the Gowanus work that I started when I moved to the new neighbourhood in 2005. It also began out of a shift from film to digital that was taking place at that time. I had just acquired a Canon 10D and the miracle of that camera was the ability to change ISO freely, not being stuck with 400ISO all the time. It gave a me a freedom to shoot at all times of the day and night and with this I got inspired to photograph the Gowanus area as many photographers near here have, its desolation, broad horizons, all things that are somewhat different from the typical busy urban New York setting.

At the same time I had was still shooting film so doubled up, shooting the canon and the leica with a big bag of expired film I had collected in the freezer. It seemed a cheap and cheerful way of keeping the reflex exercised. I even shot transparency because that was what was in the fridge, and I’ve never really liked transparency.

The Gowanus work led to getting back in to street photography in 2006. This was a full on return to my roots in 1989 when I began to seriously pursue photography in Toronto. I stuck with the leica and bw film so there was a mix of things on the roll, street work and some Gowanus images all at that time.

After about a year and half I had more or less exhausted the Gowanus vein, so I was looking for a way to extend the work using the principals of street photography, looking for intersections, moments, new facts that aren’t always facts, the things that street teaches you, how the camera sees differently from the eye. So the confluence of that was this picture that showed up one day on my contact sheets:

The is the “Ur”-Flyover State. I think walking home from the R train on 4th Avenue I started to follow the jet and wondered how it would coincide with the aerial atop the car service nearby- it looked like it would fit right on top but the geometry worked out like this.

There was something about this picture that stuck with me, the fluffy innocuous cloud, the grain, the needle form, and silhouette of the jet. A game began for me at that point, perhaps it would be possible to intentionally stick that jet on the pin as if it was meant to be there. This is how photography takes something and makes an impossible fact possible.

Of course you could do this in photoshop in a quick second, but that was not the point, it was about creating this intersection and then seeing what it looked like. Not all of them were equal. Why some are better or worse is really what photography is all about, sometimes it is a picture and sometimes it is not. Sometimes I get the jet on the pin and most times I did not. It’s really harder than it looks.

After a while I gave up on that and started working with jet trails, intersections, shapes, etc. Extending the vocabulary of the idea. It was never about getting a big picture of an aircraft like you see those ones at the beach in St. Maarten, the behemoth form inches from the ground, for me it was better the smaller it got, the more it dissolved into grain, the more it just became a field of tone. The image you purchased was shot on the digital Leica M8, and the ccd sensor does have that quality of graininess that film does, only smoother. I was never into grain for grain sake either. I also feel that the size is important too, they need to be large, the 17×22 you have is about right, although larger would be great too.

The car service is gone now, the aerial moved to the south side of 4th Ave at 9th street, and is crooked. For all sorts of reasons it doesn’t work any more now for me, so effectively the series is over. It is an arbitrary way of finishing.

Flyover States July 2009

Anyway, I hope it finds a comfortable place in your home.

A big Thank You if you got this far!

April 30th, 2012 Comments Off

If you clicked through the Spring Newsletter and got all the way to my blog- wow- you deserve a thank you.

The “Run” project began in September of 2011 on Staten Island, as shown above. It is inspired by many of the usual suspects, Rineke Dijkstre being the most recent, but it all owes back to August Sander I suppose.

I have shot hundreds of portraits over my career, but this is very different from assignment work in that these people do not expect to be photographed until I ask them, so there is very short amount of time that they then set aside in their minds for this to happen. This expectation is interesting, it seems to have shrunk over the years or perhaps is due to the difference between being sent somewhere where the subject knows he or she will be photographed, and just showing up. But people assume it is just like a camera phone snap, yet I have a tripod, big camera, lighting sometimes, and I spend time trying to find a suitable background which doesn’t always work. Trying to keep their attention, and also trying to preserve what it was that I saw that drew me in the first place is very challenging. These are very cooperative portraits, or at least the best ones are, although I think sometimes the subject does not understand just how much control they have.

 

Trudie Styler at home for New York Times

April 23rd, 2012 Comments Off

What happens when a Canadian and an English(Wo)man meet in New York?

Trudie Styler

Full article here.

(I’m actually a dual citizen and not “a legal alien…”)

(yes Sting was there and it was all I could do not to fall all over myself and say something stupid. So I said very little. (“modesty propriety can lead to notoriety…”))

(Trudie asked me if I would like tea and I said (really) “ooh that would be lovely” (daft…) (I don’t drink coffee I take tea my dear…) so I was served tea in a china cup on silver tray. Milk and Sugar. Yes I am bad. Sting had two cookies with his tea. They looked like arrowroot cookies but I don’t think they were that exactly, they might have been ginger snaps.) It was ever-so lovely.

(I can see by the timestamp on the pictures that tea was at 3pm on the dot.)

(we finished shortly thereafter and as I was packing up Sting was snoozing on the couch. I tried to be quiet like a mouse. (“If manners maketh’ man as someone said…”) )

“A gentleman will walk but never run”…well, I still like running.

Desi Santiago

April 4th, 2012 Comments Off

Artist Desi Santiago for NYT

Latest

April 4th, 2012 Comments Off

Max Snow for NYT

Alone again, naturally.

February 28th, 2012 Comments Off

Got a call from the editor, did I want to go do a photograph about people living alone?

I said, do you just want a self portrait?

Rod (not Rob) is a music producer and that is the lovely window light on Graham Avenue.

If you see him poking out the window as he is wont to do look up and say hi. He is very nice.

The Voice, The Picture. Adam Levine.

February 25th, 2012 Comments Off

Had the opportunity to photograph Adam Levine from Maroon 5 and NBC’s The Voice for NYT. A quick hit and then he was on to another press event. Thanks to stylist Daniella Shachter and Priscilla at the Mercer Hotel for their help getting this together.

Vale…

February 21st, 2012 Comments Off

Vale continued.

February 20th, 2012 Comments Off

Vale of Cashmere III

February 17th, 2012 Comments Off

A little mystery on a friday.